In this series of posts I'll discuss an album I picked up as a teenager or in my early 20s and haven't listened to in a very long time.
I guess I fell for the hype with this one. I like to think I'm pretty good at avoiding this, although there have been other times where I've caved in and bought an album to see what all the fuss was about (Deafheaven's Sunbather, Trivium's Ascendancy, Machine Head's The Blackening etc.). Don't get me wrong, sometimes all the hype is deserved - but there's something off-putting to me when a lot of people are effectively trying to sell me someone else's record. I still haven't heard anything by Blood Incantation, let alone that Absolute Elsewhere album from 2024 that everyone bangs on about. It's even the same with TV shows - I still haven't seen Game of Thrones!! I'm sure it's great, but I don't care enough to watch it myself! I know, I know - I'm being obtuse!
Anyway! Back to Black Stone Cherry. Maybe they weren't hyped by every rock fan and it was just the UK press, I don't remember. But I do remember a lot of those publications comparing them to legendary Southern rock acts like Lynyrd Skynyrd, which is just insane to me. I'm no Southern rock expert, but it's a genre I still like for the most part. And I suppose I would call myself a fan of Blackfoot and Molly Hatchet, and I do love the odd Skynyrd track too. But BSC don't sound anything like any of those bands to my ears. And I don't know why I was even expecting this 20ish years ago either, because like I said at the beginning of this article, the only song I'd heard was 'Lonely Train' - and that's just a great song that even borders on heavy metal up to a point. I do hear Southern rock influences on the album, sure. Southern-influenced hard rock feels like a better label to me than fully-blown Southern rock. And to be brutally honest with you, I completely jumped off the BSC bandwagon right after this debut - I never bought anything from them that came later. Wikipedia sticks the 'hard rock' badge on them first, with Southern rock following close by.
Enough of that. Let's talk about the songs. Well, I still love 'Lonely Train'. The riffs are killer, the chorus is simple yet extremely effective and the song in general is just a good rockin' time with commercial appeal too (but not in a negative way). Good songwriting, that's what it is. It still makes playlists for me all these years later, and I do still enjoy 'Rain Wizard' too. Maybe the verses are little lacking, but that massive chorus is really hard not to love. 'Backwoods Gold' too, is simple and maybe even poppy in terms of it's vocal hooks - but it has enough grunt to still be hard rock. Again, good songwriting. 'When the Weight Come Down', despite not hearing it for such a long time, immediately came back to me when I heard it again for this blog post. And it only brought back positive memories, so I must like it! I also kinda like the sleazy cover of the Yardbirds' 'Shapes of Things' - it gives me nice summertime feels for some reason, and I forget I'm even listening to a cover. It fits in so well. Oh, and 'Tired of the Rain' is a gem as well. It makes nice use of '70s-style rock organs, and this track in general feels the most old-school of the lot. Aside from the modern production of course, this is maybe the most classic Southern rock-sounding number of the lot.
And as far as anything else I like about this album goes, well I generally like Chris Robertson's vocals. I won't say he's great (sometimes he sounds like he's struggles on the higher-ranging parts), but he definitely has a unique tone that makes him easily identifiable. That counts for something. Also his and Ben Wells' guitar playing is solid too. The riffs may be a little generic at times, but they never sound bad. The lead guitar work and licks are legitimately good however, and I also like how they throw in riffs that sound more metal than rock here and there throughout the record. They give the songs more balls. The production too, is great. Modern, yes, but not the point where everything sounds over-produced. The guitar tones are really nice and crunchy, and the album as a whole is pleasant on the ears without being too fluffy or shiny.
It's a shame that there's a sizable portion of filler to sit through on this disc. No flat-out shitty tracks - they don't stick out like sore thumbs and do at least continue in the same style as the good songs on here. They're just... a bit boring, and the hooks don't come close to the songs I've mentioned that I do like. 'Rollin' On', 'Drive', 'Shooting Star', 'Crosstown Woman', 'Hell and High Water'... I've just sat through this record and I can't remember how any of them actually go. I'm a metalhead first and foremost, so hooks aren't everything to me - but a hard rock album with mainstream appeal like this needs memorable hooks to be good in my opinion. And these songs just don't have 'em, whereas the best ones do.
A bit of a mixed bag this one. I still think 'Lonely Train' is the best song on here, but there's a bunch of others that are really good too. And thankfully nothing on here is downright embarrassing or completely unlistenable, but that's still not enough to excuse the fact that there is a fair share of filler to sit through. The album's too long despite lasting 46 minutes in total! Naturally, hearing this disc again for the first time in who knows how long hasn't made me want to go out and buy more Black Stone Cherry albums. I mostly still feel the same way about it now as I did nearly 20 years ago. But hey, it certainly doesn't suck. It just sits somewhere between okay and good!
Adam's rating: 6/10
